Octomom Nadya Suleman Skips Treatment Center for Drug Addiction to Star in … – Daily Mail
Octomom Nadya Suleman skips treatment center for drug addiction to star in … – Daily Mail
Filed under: Drug Addiction
 Daily Mail |
Octomom Nadya Suleman skips treatment center for drug addiction to star in …
Daily Mail Suleman checked into a treatment centre for anti-anxiety drug Xanax addiction, stress and exhaustion last month but has been spotted filming a shoot with Cledus T. Judd, a country music artist known for his parodies of popular songs. Skiving: Nadya … Octomom in rehab for stress, exhaustion and drug addiction, rep confirms Octomom In Rehab: Is Nadya Suleman Really Suffering From Addiction? Octomom Nadya Suleman's Oldest Son Files Restraining Order Against Ex-Nanny |
The Original Bird – The Best Of Charlie Parker 1944 – 1949 – The Original Bird – The Best of Charlie Parker 1944-1949 1.Now’s the Time (C.Parker) 00:01 2.Red Cross (C.Parker) 03:20 3.Warming Up a Riff (C.Parker) 06:28 4.Billie’s Bounce (C.Parker) 09:03 5.Thriving on a Riff (C.Parker) 12:13 6.Koko (C.Parker) 15:09 7.Donna Lee (C.Parker) 17:12 8.Milestones (M.Davis) 19:48 9.Parker’s Mood (C.Parker) 22:27 10.Half Nelson (M.Davis) 25:36 11.Ah-Leu-Cha (C.Parker) 28:20 12.Groovin’ High (JBGillespie) 31:17 13.Ornithology (C.Parker/B.Harris) 36:08 14.Salt Peanuts (C.Parker/K.Clarke) 40:55 15.Be Bop (JBGillespie 44:49 Charles Parker, Jr. (August 29, 1920 — March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker acquired the nickname “Yardbird” early in his career and the shortened form, “Bird”, which continued to be used for the rest of his life, inspired the titles of a number of Parker compositions, such as “Yardbird Suite”, “Ornithology”, “Bird Gets the Worm”, and “Bird of Paradise.” Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, sometimes combining jazz with other musical genres …